Category Archives: Music

You Say You Want A Resolution? Try A Cease Fire

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By GORDON GLANTZ

Gordonglantz50@gmail.com

@Managing2Edit

GORDONVILLE – We all live with regret, and sometimes it’s the little moments – the seemingly innocuous choices to put the left foot in front of the right – that rise to the top of the list as the calendar unmercifully flips from year to year.

Let us board a time machine and travel back to the summer of 1986. My father had rented a house in the mountainous woods of Vermont for the summer.

After taking advantage of the freedom of no parental supervision for weeks on end, my sister and I went there for a week in late August.

It was a pretty cool place, with the feel of an old-fashioned log cabin but modern amenities that included a Jacuzzi the size of a small swimming pool.

I remember being at a creative peak as a songwriter – and guitar player (something I have since given up) – and using the long car rides to plays at places like the campus of Williams College and shopping outlets as fodder for whatever deep thinking a 21-year can have (brains don’t fully develop until the ages of 24 and 30).

And now, for that moment of regret.

It should have been when I lost my temper when everyone in the car – father, step-mother and sister – mocked Suzanne Vega’s first “tape” after 10 seconds into the first song, but I’m still proud that I defended Suzanne’s honor (even though she rightfully looked at me like a stalker when I was first in line and babbling like an idiot when we saw her at the Sellersville Theater a few years back).

Plus, the joke was on them when Vega had a big hit a year later with “Luka.”

No, it came when my sister and I went to a concert in whatever nearby sign of civilization that served as the pseudo-downtown area.

The featured act was Woodstock hero Richie Havens. We walked into what was basically a glorified barn with a bunch of benches laid out in front of a stage.

While the latent hippie types malingered, we went straight to the front row.

I briefly noticed a few homemade cassette tapes that had the name “Rod MacDonald” written on them in magic marker, but gave it no real thought — other than my own musical endeavor, The Last Wave, was not much different (except we weren’t warming up for Richie Havens and never made it out of my basement, except to record some songs in my guitar teacher’s basement).

MacDonald took the stage with an acoustic guitar and rolled through a set of well-written songs that he set up with poignant and witty stories.

I had him pegged as either a 1960s has-been or wannabe who, through bad luck, had been nothing more than a regional New England act.

Then he finished his set with what he jokingly said was his “hit song.”

Actually, as benches began to slow fill with earth-shoe-wearing refugees from New York City and Boston, there seemed to be some measure of familiarity with the song – “Stop The War” – in the audience of less than 200.

As a songwriter type myself, I listened intently and was spellbound by the lyrics.

I was expecting a leftover Vietnam-era song, but it was one of those songs that can fit like a hand in a glove at any place in time.

Through the years, the words of the chorus managed to stick:

“Stop the war, Stop War

Stop the War within yourself

And you won’t have to fight with anyone else.”

After MacDonald was done playing, I ventured to the back of the “theater” to locate a bathroom and maybe grab a snack.

I noticed the tapes still there, and figured that I would wait until after the Richie Havens performance and pick one up.

Havens then played, and I was enthralled at his unique guitar style that I have later learned was due to him being self-taught.

He ran through a bunch of songs – including plenty written by Bob Dylan, who I was all about that summer (even more than Bruce Springsteen) – and brought the crowd into a bit of a frenzy with “Freedom,” the song he rocked a much larger throng with at Woodstock.

The show had ended and we exited into my father’s waiting car out front.

It didn’t hit me until halfway home that I never picked up MacDonald’s tape.

Maybe it was because I was riding a buzz that both Havens and his backup guitar player acknowledged me with winks and nods for appreciating the performance with such intensity. Maybe it was because my sister wasn’t feeling well (or at least that it what she said).

Or maybe it was that underdeveloped brain of mine.

The following morning, back in town, MacDonald was in the same diner eating breakfast with his manager. The G2 of today would have approached, heaped platitudes upon him, told him I was an aspiring songwriter myself and asked about buying a tape.

But I was more timid back then.

It left me with regret.

I thought I had read somewhere that MacDonald had died, but I must’ve Googled the wrong dude.

He is not only alive, but his career has gone well from those days of selling homemade tapes. He was not really the 1960s leftover I imagined, as he was just building his reputation in the 1980s as key cog in the folk revival in Greenwich Village.

And his under-the-radar music has come a long way, in terms of availability.

Just about all of his songs – many of which have been covered by a plethora of quality acts – are available on iTunes.

Including not one, but two versions of “Stop The War.”

First verse about a general. Second verse about a stock brocker.

You get the picture.

A lot of people are busy making New Year’s resolutions, and I usually do the same.

A few years back, I decided to make them more inward than outward (losing weight, exercise, etc.).

In 20I1, I tried letting things slide.

LOL.

Come 2012, I tried not caring what other people think about me.

More LOL.

In 2013, there was the old attempt at not worrying about what is out of my control.

LMAO.

Well, in 2014, I’m going to raise the bar.

And really, when I look in the mirror at the well-meaning but flawed being glaring back, it’s not a laughing matter.

I’m going to stop the war.

The war within myself.

So that I don’t have to fight with anyone else.

To Rod MacDonald, thanks.

I may have forgotten to buy your tape back when my brain was not fully developed, but I never forgot your words.

A Real Bad Trip, Man

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By GORDON GLANTZ

Gordonglantz50@gmail.com

@Managing2Edit

GORDONVILLE — What do we all have in common?

Aside from being mere mortals, we all like pizza and we bleed when we are cut by sharp objects.

And if we are normal – or at least semi-normal – and are able to hear, we at least appreciate the music of The Beatles.

And we all have our favorite songs and albums. My Fab Four favorites – despite 50 percent hearing in my left ear – tend to come from the Rubber Soul, Revolver and Magical Mystery Tour albums.

But, top to bottom, I consider their best album to be what is known as The White Album (actual title is The Beatles). A double-album, it includes the likes of “While My Guitar Gently Weeps,” “Revolution 1” and “Dear Prudence.”

There are so many others – “Blackbird” and “Mother Nature’s Sun” and “Sexy Sadie” – that I don’t know where to stop myself.

But you can’t argue this point: The White Album is without a dud.

Well, almost.

There is this pesky “song” – lasts 8 minutes and 22 seconds – that comes second to last amid the long and winding sequence of classics. It is called “Revolution 9.”

Not only is “Revolution 9” my least favorite song on my favorite Beatles album, but it is my least favorite Beatles song.

Heck, it might be my least favorite song, period.

Basically, it is a bunch of noise – with the line “number nine, number nine, number nine …” repeated endlessly – that is passed off as an “experimental sound collage” that reveals the influence that Yoko Ono was unfortunately having on John Lennon (even though George Harrison, who penned some of the albums best tunes, was reportedly roped into helping create it).

As forgettable as it may be, “Revolution 9” was kind of stuck in my head at, of all places, a football game last Sunday – about 45 years after it was released.

While the Philadelphia Eagles played as if the turf at Lincoln Financial Field were quicksand and the end zone they were pursuing was protected by a mystical force field, preventing one of the league’s top rated offenses from threatening to score against one of its worst defenses, that irksome phrase began ringing in my ears.

Number Nine.

Number Nine.

Number Nine.

It was like a bad trip, man.

Paul wasn’t dead.

Forget about 6-6-6.

Turn it upside for the real pre-Halloween fright.

The Eagles were, for the ninth straight home game, coming out on the losing end, this time against the rival Dallas Cowboys, 17-3.

And the quarterback, with a chance to be anointed the successor to the throne, was performing like the song “Helter Skelter” was blaring in his helmet instead of the plays from the sideline.

That quarterback, second-year man Nick Foles, happens to wear what number uniform?

You got it.

Number nine.

Number nine.

Number nine.

While it was not fair to deem Foles the face of the franchise based on winning one game in relief and another as a starter against two teams with one win between them, it is not fair to send him packing to the Arena Football League after last Sunday.

Nonetheless, when asked if the Eagles had a worse quarterback performance in a single game, I could only think of one: Pat Ryan.

What was his jersey number during that ill-fated stint of four games, netting a QB rating of 10.3 (for real)?

Not No. 9, but No. 10.

Whether or not you believe in numerology, it is a reminder that it can only get more dismal.

If the Eagles lose again this week, the well-worn “Rocky” movie clips on the big screen might have to give way to the movie “10.”

Instead of piping in all the AC/DC and Rocky soundtrack songs into the Linc, they ought to use “Revolution 9”until further notice.

It would be odd, but you reap what you sow.

The repeated “number nine” would be reminder of the torture the Eagles are putting their fans through with this ongoing home-field disadvantage, and also encouragement that a “Revolution” ought to be in order.

I am a season-ticket holder. I am not a big fan of a lot of the fans, to be brutally honest. Too many seem more interested in drinking in the parking lot than thinking about the game on the field, but I almost can condone cheers drowned by beers.

It has been more than a calendar year since the Eagles prevailed at home. It is the worst example of at-home futility in professional sports, and the worst in the team’s rather sordid history since the 1930s.

Even the Temple football team, which also calls the Linc home, has won a few times there during this span. And the Owls are not exactly the Crimson Tide of Alabama.

How and why is this happening?

A fluke? A byproduct of a team that was terrible last year and has only played three games at home this season, one which hangs perilously in the balance between contending and pretending with nine – yes, there is that number again – games left of a 16-outing slate?

We could get into the Xs and Os, but it is about a suddenly lost culture where coming into town to play a Philadelphia team – particularly the Eagles – once carried some level of mystique.

The feeling is gone and we just can’t seem to get it back.

It might be time to look for rational reasons, beyond the paranormal.

Philadelphia is a sports town, for all its teams. The Phillies are beloved, the Flyers have a cult following and the Sixers get what they give whenever they decide to be good. Even the Union, the soccer team, is developing a loyal base.

But it’s all about the Eagles, first and foremost.

This is a football town.

Sociologists can research the reasons, pointing to Philly’s blue-collar proletariat work ethic, but it can’t be that complicated.

It goes back to 1960 – the year The Beatles started making their mark in Hamburg, Germany.

That is when the Eagles last won the NFL title.

To put it in perspective, that’s more than half a decade before the league champion was crowned after the Super Bowl. It was just called “the championship game” and the players wore crew cuts.

It has been 53 years, and one look around The Linc on game day reveals beer-guzzlers who were not even born in 1960 and might have a hard time naming five Beatles songs, let alone five stars from the last team to put a meaningful banner up in the rafters.

The Phillies are professional franchise with the most losses in the history of American sport, but this is a “what have you done for me lately?” society. They won the World Series in 2008 and also 1980. The Sixers won in recent memory, going all the way in 1983. The Flyers captured the Stanley Cup twice, in 1974 and 1975 and have been in the finals six times since.

The Eagles? Two Super Bowl losses, and a whole lot of ups and downs, since 1960.

That puts them under the microscope; in a fish bowl.

In other cities, where the desperation does not run as deep, a team can play loose in front of a crowd that is not clapping and cheering with clenched fists and teeth.

And during this nine-game swoon at home, the common denominator is a roster with a talent level that needs that added pressure like former coach Andy Reid – whose current 7-0 record in Kansas City includes a win here –  needs another doughnut.

It could be said that the Linc lacks something that Veterans Stadium had, in terms of intimidation, and that might be true. But the saccharine environment can turn sweet in a hurry with a win against another rival, the one-win New York Giants, this Sunday.

Or even more bitter with another loss.

What song will come to mind?

“Ten” by Jewel?

“Ten Little Indians,” the nursery rhyme, or the versions by the Yardbirds or Nilsson?

“Ten Thousand Fists,” by the Disturbed? Probably a little too disturbing.

“Ten With A Two,” by Kenny Chesney? Uh, no. Sore subject in that stadium.

“Ten Times Crazier,” by Blake Shelton, keeping it country, without touching a nerve?

Sounds like we got a winner, assuming we get another loser.

This column originally appeared at http://www.phillyphanatics.com

The Revolution Starts Now

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By GORDON GLANTZ

Gordonglantz50@gmail.com

@Managing2Edit

 

GORDONVILLE — So I was rapping to this guy the other day, and I was describing some ordinary situation in my day. I added that it annoyed the heck out of me.

His response: “Everything annoys you.”

Well, not everything.

But enough “things” that the point is well-taken and met with little resistance.

Near the top of the AL – Annoyance List, not American League – standings is the propensity on the nightly news, usually on a Sunday, to list the top movies of the week.

The criteria? The box office sales are it, which is really a sad commentary on culture, given the subject matter of the majority of the movies.

Want to raise the bar on Hollywood, challenging it to do better than it does with lame scripts and gratuitous violence? Change the approach. Why not list the “best” movies, according to critics, that week?

Dumb?

Not so, dumb-dumb.

Not an alien concept, really. AP and USA Today release Top 25 rankings for college football and basketball – among other sports – on a weekly basis. Those votes are also based on media observations from those with trained eyes.

Why doesn’t this happen in the movie universe? Well, if you subscribe to the theory that everything is a conspiracy until proven otherwise, Hollywood is in cahoots with the networks that broadcast these lists of high-budget B movies.

It’s not that, say, science fiction cannot have a role in storytelling. At its best, the genre uses an alternate setting to send a strong message. But how often, realistically, does that happen anymore?

I have an idea for the perfect sci-fi thriller, as it eerily hits close to home. It need not be set too far into the future, either. Maybe 50-75 years, tops.

And it is rooted in today’s headlines.

Seems that a day doesn’t go by without hearing of bears infringing upon man’s arrogant eminent domain and attacking and mauling, right? Ditto for coyotes. And we all know about deer daring to get in our way on the roads to the extent that hunting season is cast in a way that is supposed to be for our best interest – and that of the hunted (LOL!). And we are also getting more reports of shark attacks than ever.

Some of it is the 24-hour news cycle and Internet bringing this stuff to light more readily, but it’s hard to buy as the only reason.

Where there is smoke, there is fire.

So here is the plot. The bucks, with their mighty antlers, decide to get angry about the violence perpetrated against their women and children and begin turning aggressive toward human women and children. The bears, the sharks and coyotes – and maybe alligators and snakes — follow suit.

The only way to stem the tide is for the adult male of the future where just about all (49 of 50) are stricken with autism (1 in 50 boys now, in 2013, and the epidemic is getting worse, so it’s not outlandish) to find a way to communicate and work together, to create an environment where we can co-exist with these animals again and reverse the risk factors for Austism Spectrum Disorder – clearly in the polluted air, the food loaded with additives and medication we take in the U.S. at a rate well beyond that of the rest of the planet – to have that Hollywood ending.

We can call the movie “The Revolution Starts Now” after the Steve Earle song (I have Steve Earle on the brain after he rocked my world at the Sellersville Theater Thursday night).

How’s that?

Nah, too close for comfort.

Bring on the vampires and zombies and keep on annoying me.

I’ll be OK. It’s just another example of … drum roll … What Is And What Should Never Be.

Ready for more?

What Is: A study conducted by the University of Michigan – my favorite college football team once each year, when Penn State is the opponent – reveals that making connections, via Facebook, might have us singing the blues.

And What Should Never Be: Letting a positive turn into a negative.

The point of the study was a good one. Facebook time can cause us to compare our lives to that of others and leaving us coming away feeling like we have bought one-way tickets to Loserville.

I have been there, done that. Not gonna lie.

For myself, being home a lot this summer with Sofia has led to time interacting on Facebook, often engaging in political debates and just touching base with people I am better for knowing.

It’s just a phase, though. I have gone – and will go – through others where it’s a secondary activity and not my immediate connection to the outside world.

We just have to take it for it is, and stare the truth in the eye.

Certain people, for whatever reason – who and what they represent in relation to our own life and times, and ensuing trials and tribulations – can put us in a funk by paging through their pictures or status posts about how they are in this place or that enjoying wine and cheese with friends.

But this is an onion that needs peeling, the study cautions. In actuality, it is the people who “socialize the most in real life” that are most prone to these oft-unhealthy comparisons.

According to John Jonides, the research co-author and a University of Michigan cognitive neuroscientist: “It suggests that when you are engaging in social interactions a lot, you’re more aware of what others are doing and, consequently, you might be more sensitized about what’s happening on Facebook and comparing that to your own life.”

I would have to say that more good than bad has come of entering the Facebook universe that allows room to breathe, despite 1.1 billion co-inhabitants.

What Is: Just to prove that man does not live by Facebook alone, a more recent discovery – Netflix – has opened up new horizons.

And What Should Never Be: Having a closed mind.

I had heard how Netflix reinvented itself for years, but figured the likes of HBO had me covered in the quest for inspiring and intriguing entertainment.

Even knowing that Netflix had an original series starring Steven Van Zandt wasn’t enough.

But then I got an iPad for my birthday in March and I took the plunge, figuring seeing the likes of “The Wonder Years” and “Star Trek” – while playing catch-up on “Mad Men” — was worth the price of admission.

Turns out, I went off in a completely different direction. First it was “Sons Of Anarchy.” Then, a friend told me about a show called “Freaks and Geeks” about high school in the early 1980s, which is when we were in high school. The only bad part of the show was that it only lasted one season and left me lamenting what could and should have been.

Next, I turned to the Van Zandt vehicle, “Lillyhammer,” and got a kick out of him pretty much reprising the role of Silvio Dante (“The Sopranos”) in a bizarre setting (a New York mob guy in witness protection in Norway).

The cool thing about Netflix is that, like Facebook, it takes a snapshot of what you like and suggests more ideas.

That led me to another original Netflix series, “Orange Is The New Black,” and I roared through the first season in about two weeks. Ditto for the award-winning “House of Cards.”

HBO cornered the market with the catch-phrase of “it’s not TV, it’s HBO.” Now, one has to consider saying, “it’s not HBO, it’s Netflix.”

Then again, “Boardwalk Empire” returns Sept. 8 on HBO.

How do I know?

Facebook.

What Is: The aforementioned Steve Earle – even though his show ended too late to stay in line for an autograph, which I may live to regret – got me thinking about our place and time in history (including the story line for the movie, as he spoke of his toddler son with autism).

And Should Never Be: Not turning the deep thinking to action.

Earle explained that all songwriters of his generation follow in Bob Dylan’s footsteps, whether they want to admit it or not (don’t the ones who refuse to submit just annoy you?). He continued to explain that Dylan modeled himself after Woody Guthrie, whose legacy was pretty much creating the realistic soundtrack of The Great Depression era. Earle added that Dylan would be the first to admit that he never experienced America going through the hard times as seen through the eyes of his hero, Guthrie.

Earle, who has been touring by bus for a while, said that it has struck him that the America he is now seeing is as horrific as that of Guthrie’s time.

And he’s spot-on accurate.

I blame Bush, you blame Obama.

Others point to Wall Street.

And maybe we should just look in the mirror, blame ourselves and start doing something about it.

After Earle and his band – The Dukes – aptly ended their show with “The Revolution Starts Now,” the lights went up and a recording of Guthrie’s “This Land Is Your Land” (should be the national anthem, but don’t get me started on that) began to play.

It sounded new again.

It sounded great.

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Rock On, Gold Dust Woman

Stevie Nicks

Stevie Nicks

By GORDON GLANTZ

GordonGlantz50@gmail.com

@Managing2Edit

GORDONVILLE — There is a line in the Bruce Springsteen song “Badlands” that goes: “You spend your whole life waiting for a moment that just don’t come.”

The Boss then advices the listener not to waste his or her time waiting, before launching into the chorus.

Good advice.

And like usual, when Springsteen preaches from his pulpit, I’m a sycophant in the choir.

“Badlands” had to be ringing in my ear when, a few months back,  my wife called from work to inform me that Fleetwood Mac was coming to town on April 6.

There was no hesitation.

I had to be there.

Having been to hundreds of shows, and seeing many bands I could take or leave (Loverboy? Duran Duran?), it was astonishing that I missed one that had been among my absolute favorites since, like, sixth grade.

How was it that our paths never crossed?

In the mid-1970s, when I was wearing the grooves out of “Rumours,” I was not old enough to go to concerts.

Once I was, I suppose the timing was off.

Either they came in the summer, when I was away at overnight camp, or in the winter when I was busy with hockey.

Whatever the reason, the comedy of errors needed correcting.

Reaching age 48, and with the sands running through the hourglass, it would be fair to place seeing Fleetwood Mac on my bucket list.

And I didn’t want to spend my life waiting for that moment that wouldn’t come.

The reality is that these bands are not going to be touring forever, so we have to be prepared to live in the moment.

My wife had her moments of doubt and pain, considering letting me go with a friend when the odds getting a baby sitter who could work post-midnight seemed dim, but I was able to corral one.

I was more than a little perturbed to learn the Phillies had a game at 7, which would be sure to cause traffic headaches when trying to reach the Wells Fargo Center for a scheduled 8 p.m. concert.

We left the house earlier — and wove through a little bit of traffic congestion, made worse by that stupid Xfinity thing — but landed in a parking spot well before the doors to the arena were even opened (despite the fact that the Phillies fans were taking up their share of Wells Fargo spots).

Still, despite my anxieties, this was a night when everything was going to continue to fall in place — from the shirt to the sandwich to not having Mr. and Mrs. Abdul-Jabbar sitting in front of us.

Not a lot of sitting around and waiting, either. There was no warm-up band, and the concert started right around 8:15.

And seeing this band I had loyally followed for decades, while loving and leaving many others along the way, hit the stage sent a surge of teen-aged adrenaline through my middle-aged body.

It was cool to see Mick Fleetwood sit behind his vintage drum kit, John McVie on bass and Lindsay Buckingham on guitar.

But nothing matched the vibe of taking in the sight of the one and only Stevie Nicks, dressed in vintage attire, prancing onto the stage — tambourine in hand — and approaching the microphone.

As legendary female singer/songwriters go, she is unmatched in my book — and it is a thick book that also includes since-retired Fleetwood Mac songbird Christine McVie (John’s ex-wife).

What is amazing about Nicks, beyond the collection of lasting songs — both with Fleetwood Mac and solo — is that men and women both have a love affairs with her.

Best explanation, beyond the obvious-but-superficial fact that she is hauntingly beautiful, is that it is because she is true to herself.

Not perfect, as her trials and tribulations reveal, but a real person with a real message that resonates.

I enjoyed every chord of every song last Saturday night. I was particularly enthralled by Buckingham’s chops on guitar. I always knew the guy was good, as evidenced by his appearance on those oft-silly top 100 guitarist lists, but he was amazing.

It was one of the best non-Springsteen concerts I have seen, living up to every expectation.

With all due respect to Buckingham as a songwriter, the Stevie Nicks-penned songs – from “Dreams” to “Rhiannon” to “Landslide” to “Gold Dust Woman” – had me as entranced as I was when I was hearing them for the first time.

They all had newness to them, and yet the nostalgia could not be lost.

There was not a Stevie Nicks song — poetry set in motion — where tears didn’t well up in my eyes.

I must admit that it seemed surreal, almost like a dream sequence, and that I was going to wake up at a Barry Manilow concert.

But, it was the real deal. I was in the same building with Stevie Nicks, Gordonville’s High Priestess of Rock and Roll.

When I was able to take my eyes from stage, I glanced around the building.

I watched the people naturally moving with her songs, with their arms seemingly taking flight on a magical and mystical journey that brings you back home again, feeling more in touch with your soul, when you return.

It’s not far removed from the theory of loving and letting go of someone — or something — you love, and if it returns, it means it loves you back.

Stevie Nicks, though her music, love us back.

There is no formula for doing this to an audience.

Some artists try and try, and just can’t create this reaction.

For others, a precious few, it is a gift.

A gift that keeps on giving.

We should all be thankful for receiving it.

Contact Gordon Glantz at GordonGlantz50@gmail.com